I came into design through print production and large-format work, where decisions carried real consequences. Files became physical objects quickly, and mistakes were costly. That environment trained me to think carefully about scale, materials, and how ideas translate once they leave the screen.

Those early experiences shaped how I approach design regardless of discipline. I’m drawn to work that benefits from clarity and forethought, whether that means planning a repeatable structure or considering how a graphic will live within a physical space. I tend to focus on the underlying logic of a project before worrying about surface details.

Alongside client work, I maintain a separate studio practice focused on sculpted toys, collage, and print. This work is intentionally loose and exploratory in nature. It gives me space to follow ideas without constraints, deadlines, or the need to resolve them into a finished system.

This site reflects that balance. Different types of work, approached with the same curiosity and care.